Bayram Balcı, « La Turquie, l’Iran et la Russie, nouvelles forces de stabilisation du Moyen-Orient ? » in Anne de Tinguy (dir.),  Regards sur l’Eurasie. L’année politique  2017 / Les Études  du CERI 235-236, février 2018 lien Regards sur l’Eurasie. L’année politique est une publication annuelle du Centre de recherches internationales de Sciences Po (Ceri) dirigée par Anne de Tinguy. Elle propose des clefs de compréhension des événements et des phénomènes qui marquent de leur empreinte les évolutions d’une région, l’espace postsoviétique, en profonde mutation depuis l’effondrement de l’Union soviétique en 1991. Forte d’une approche transversale qui ne prétend nullement à l’exhaustivité, elle vise à identifier les grands facteurs explicatifs, les dynamiques régionales et les enjeux sous-jacents.

Julien Boucly, « World Heritage Manufacture in Turkey and the Introduction of a New Public Policy System », in Girard M., Polo JF., Scalbert-Yücel C. (eds) Turkish Cultural Policies in a Global World. Palgrave Macmillan, pp. 233-257. lien From the 2000s, Turkey has become increasingly committed to the United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage program. It has implemented a whole raft of measures, including numerous applications for cultural heritage listing, increased financial contributions, and active participation in UNESCO’s functioning, all of which indicate the ambition of the Turkish government to become a key player in UNESCO arenas.

Lydia Zeghmar, « Tradition Makers. The Recognition Process of a Local Dance: From the Village to the Institutions », in Girard M., Polo JF., Scalbert-Yücel C. (eds) Turkish Cultural Policies in a Global World. Palgrave Macmillan, pp. 209-232. lien Since 2012 the village of Eğridere, a hamlet lying in the valley of the Little Meander in south-west Turkey, has become a key destination for zeybek lovers in the region. Zeybek is a popular musical and choreographic genre whose roots lie in the Turkish Aegean hinterland. The genre is associated with mountain life and an agropastoral social imaginary, as well as with representations of combat. In 2012 a leading figure from the Dance and Music Folklore Section of the Turkish State Music Conservatory

J.-F. Polo, « Turkish Cultural Policy: In Search of a New Model? » in Girard M., Polo JF., Scalbert-Yücel C. (eds) Turkish Cultural Policies in a Global World. Palgrave Macmillan, pp. 77-103. lien In 2012 the Turkish Justice and Development Party (Adalet ve Kalkınma Partisi, AKP) government announced it was drafting a new cultural policy better attuned to changes affecting Turkish society and contemporary dynamics within the cultural sector. Policy-makers argued that a new model was needed for cultural policy which would “break with the French model” and be closer to “the English model”. The new normative framework was to consolidate shifts in Turkey’s cultural policy since the AKP came to power in 2002. However, the succession of serious political events since